![]() ![]() Working in the new red-figure technique - which enabled them to depict the body in red hues, as opposed to the black paint that predominated early on - they displayed a new sensitivity to human anatomy and a keen interest in creating a sense of depth in their paintings. Scholars refer to Euphronios and his collaborators as "the Pioneers," a group of potters and painters regarded as among the first self-styled artistic schools in Western history. The krater is named for its painter, Euphronios, an Athenian artist who worked at a time of great change. It was bought by the Metropolitan Museum of Art in 1972 for the then record-breaking price of 1 million, and is now thought to have been excavated illegally in Italy in 1971. So as the Met experiences its own Classical revival, the magnificent krater is saying goodbye (albeit quietly) to the city it has called home for the past 35 years. The Euphronios (Sarpedon) krater is a red-figure calyx krater made in Athens circa 515 BC, signed by Euxitheos as potter and Euphronios as painter. As part of the so-called Pioneer Group, ( a modern name given to a group of vase painters who were instrumental in effecting the change from Black-figure pottery to Red figure. As a result, the krater will leave New York for good this January. Euphronios (circa 535 after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. Paul Getty Museum last week to agree to return 40 of its antiquities. The krater's sense of exclusion is justified: It was caught up in the same kind of cultural property dispute with the Italian government that led the J. Once used for the mixing of water and wine at symposia, it sits somewhat anonymously in a side room, peering like a forgotten child onto the new Classical Galleries down the hall. that has long been one of the Metropolitan Museum's prized possessions. There is an air of melancholy surrounding the Euphronios Krater, an imposing ceramic vessel made in Greece in the sixth century B.C.
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